People
are frequently astonished that I have never seen Breaking
Bad, Orange Is The New Black or
even Titanic. Yes, it
is true. I've never seen this moment:
Until
recently, I couldn't figure out why. At first I blamed it on living
in a testoterone-filled house, where there's always a sporting event
appearing on at least one screen. But then I realized there are
plenty of other screens available for my viewing pleasure.
And then
I figured it out. I was missing out on all these small-screen shows
and movies because
I WAS
ATTENDING LIVE PERFORMANCES
Obviously,
attending live performances is a priority for me. As it should be.
I'm a performer and I train performers. I better get out there and
see what's going on.
Some of
you are able to attend live performances AND watch all of the latest Netflix
series. Good for you. Let me know how that works out when you end
up with a more-than-full-time career, a husband, a kid AND a house in your
life.
I also
know that many of you don't attend live performances because you
think you're tired, you think you don't have enough money, you get
depressed because you're not on the stage, or, because that party
your friend is throwing just feels so much more important.
I'm
going to encourage you to change your thinking. Here's why:
Enjoyment
– When you work as an artist, it is easy to forget that you
actually enjoy the art. At least I hope you do. I frequently think
of the colleague from my opera years who told me she never attended
live performances because she didn't really like opera. I never
understood that. Why would she give so much of her time and energy
to an art form she didn't like? Especially one as demanding as
opera? No offense, but it's not like being an accountant.
I go to
performances because I love seeing humans express themselves. I am
continually taken with the various ways humans, as a species, have
found to express and communicate. Don't you love that feeling of joy or of being moved to tears by a piece of art right in front of your
face?
I
recently attended a performance of the opera Manon at the Met. I don't like this opera, mostly because I don't like the character
Manon. She makes life choices that I cannot understand and I have never
found the music that compelling. Well, the performance I recently saw changed my mind. It was everything opera should be – a captivating
story well-told through great singing, a great orchestra, a wonderful concept carried out in excellent costumes and sets – but that wasn't the best part. The best part was the last
moment of the opera when the character Des Grieux is kneeling over
the love of his life, Manon, as she lays dying. (It's an opera, get
over it.) This singer, Vittorio Grigolo let out a cry that was
so honest, so compelling, so human. I couldn't help myself. It
brought tears to my eyes. It was real.
Everything
had been fantastic that afternoon. But that cry....that's why we go,
folks.
I am
also continually taken with the way we, as consumers of art, respond
to live performances. Why do some people respond to one song and not
the other? Why do some people love the ballet and not the tango? As
a working artist, that's important, because I need to be able to:
Discern
– it is true that some of the performances I attend are not of
the highest quality. Instead of mentally snarking my way through, I
ask myself what would make the performance better. Is it the
performers? Is it the direction? Is there a different way to
present this same piece of art? Is it the work itself? Is it the
venue? I don't stop there. I take it to that next, important step, and I ask myself – how does this apply to my creative work?
This is, I suppose, a form of:
Professional
Enrichment – which is me using big words. Let me translate.
There are wonderful new creative ideas out there, waiting for you,
hanging out in the places you haven't thought of yet. They will
enrich your work and transform your life. Go find them. See above story.
Support
– I attend many
events because I want people to know that I believe in them and I
believe that what they have to say is of value. Maybe they don't get
it right all of the time, but they're trying. Maybe they'll say one
phrase, play one note, move one move that will transform my life. In
my book, that's worth sitting through okay moments. In my book, that
merits my support. Yours too. And you know what else? Sometimes
looking out there and seeing that one face makes all the difference.
Be the face.
Yes,
frequently I do not want to leave my comfortable house. I still go.
It's the Golden Rule in action. Remember that one? Do unto others
as you would have them do unto you. Yes, it's true. If you want
people to attend your performances, you need to attend theirs.
It's
cultivating an attitude of generosity. It's opening yourself up to
experiencing something different, to being a good colleague.
Besides, you never know who else is going to be in attendance, which
means you might have the opportunity to:
Network
– That's right, when you attend
performances, you're going to rub shoulders with other people in your
industry. Most of them tend to be impressed when they meet you at a
performance. It says you care, it says you're invested in the form.
This is particularly advantageous when you encounter the people who
make the hiring decisions. They tend to appear at performances.
Rarely do they appear in your living room.
The
spring is a wonderful time to attend performances. There's many to
choose from and the weather is usually better. So here's your
Creatavita challenge.
Attend a live performance or event. For a double challenge, attend an event that presents a new form to you.
Go to a book signing. Go hear a singer-songwriter. Go to an opera. Try something different.
Post your comments here on the blog. Don't put them on Facebook or Twitter, because not every Creataviter can see them. I bet we'll get some cool experiences.
Post your comments here on the blog. Don't put them on Facebook or Twitter, because not every Creataviter can see them. I bet we'll get some cool experiences.
Oh, if
you need assistance choosing an event, I'm glad to help. You know where to find me.
Gotta
go. The show starts in 7 minutes.